“A state-of-the-art multi-FX floor pedal with the easiest editing ever”.


The DigiTech iPB-10 programable pedalboard for iPad is also reviewed in Guitarist magazine this month where it is awarded the magazine’s ‘Choice’ award, given to ‘highly recommended, excellent buys’.

“The exceptionally solidly built iPB-10 works with both iPad and iPad2 – all you have to do is connect the device’s 30-pin port to the iPB-10′s flexibly mounted plug, sit it in the dock and lower the frame, which instantly locks it securely in place, looking for all the world like it was always an integral part of the pedalboard”.

“Editing is really simple and can be carried out on the iPad in isolation, or when it is installed in the iPB-10″.

“The 100 factory preset offer a great introduction to the unit, covering loads of styles and the signature tones of well-known players – overall, these sounds are excellent. The individual models represent loads of classics in both the amp and stompbox worlds, plus there’s some cool Lexicon reverb to add ambience”.

“The iPB-10 is a clever concept hat has translated into a very practical piece of gear…Certainly, setting up and rearranging a complete pedal rig has never been easier”.

The full review can be found in the November Issue (348) of Guitarist magazine on sale now. The DigiTech iPB-10 is available now at £499 RRP.

Further Links

  • DigiTech
  • Tour of the DigiTech iPB-10 programmable pedalboard
  • Guitarist magazine


 

“All in all, Balance is a godsend for Reason users new and old: a portable, affordable, bare-bones interface that works seamlessly with the leading electronic software in the industry. Even without all the bells and whistles of its competitors, Balance makes it easy for anyone to capture their music. It’s also easy enough to use if you’re just starting out. If you don’t already own Reason software, Balance comes with a copy of Reason Essentials, a stripped-down version of Reason 6 with plenty of virtual instruments and effects to get you started. In short, solo musicians and home producers, especially those who are space-strapped, would be wise to look into Balance.”

Read the full article here:
http://timeoutchicago.com/music-nightlife/music/15078051/music-gear-review-propellerheads-balance-audio-interface

Related Links

  • Full article
  • www.propellerheads.se/balance


 

HARMAN’s JBL Professional today introduced its PRX400 Series of passive portable loudspeakers, designed to bring true professional-quality performance, power handling and durability to more affordable price points. The new JBL PRX400 Series includes the 15-inch PRX415M, 12-inch PRX412M and dual 15-inch PRX425 loudspeakers, as well as the 18-inch PRX418 subwoofer.


The PRX415M and PRX412M can be used as either mains or monitors, and when used with the PRX418 subwoofer, provide a sat/subwoofer system capable of delivering 135dB of full-range, high-quality sound. The PRX425 dual-15-inch, 2-way speaker is ideal for DJs and bands that require powerful low-frequency extension from the convenience of a standalone cabinet.

“Since their introduction, our PRX600 Series portable PA loudspeakers have been tremendously popular with touring musicians, DJs and in a variety of live performance venues,” said Richard Ruse, Senior Director of Worldwide Sales, JBL Professional. “Our new PRX400 Series models offer the same exceptional sound and rugged reliability in a passive loudspeaker format, at pricing that offers outstanding value in its category.”

JBL PRX400 loudspeakers are designed to work hand in hand with Crown Audio’s powerful and innovative XTi2 Series amplifiers. Crown XTi2 amplifiers incorporate enhanced pre-set performance tunings for PRX400 Series loudspeakers, including crossover points for a sat/subwoofer setup, and optimized parametric filter that bring out the full potential of PRX400 Series loudspeakers. JBL PRX400 tunings will also be available in the dbx DriveRack® PA+ signal processor/complete loudspeaker management system.

JBL PRX400 Series loudspeakers utilize extremely high-quality, tour-tested drivers and components to deliver clear, detailed and dynamic sound for bands, DJs, nightclubs, schools, houses of worship or other professional touring and installed sound applications. They feature Neutrik® SpeakON combination connectors and are built from lightweight, yet extremely tough 18mm birch/poplar multi-laminate hardwood covered in JBL’s resilient DuraFlex™ covering. All PRX400 Series models feature rugged 16 gauge steel grilles.

JBL PRX400 Series loudspeakers offer versatile installation options. All full-range models incorporate twelve M-10 suspension points and hardened steel eyebolts for safe hanging in light-duty installations. Built-in dual-angle pole-mount sockets enable the PRX415M and PRX412M to be mounted either straight out or at a 10-degree downward angle to deliver the best audience coverage pattern. With a 10-degree down angle, the speakers can be aimed down at the audience, keeping sonic reflections off the back wall for better clarity and more efficient coverage. In addition, all PRX400 models feature ergonomic handles made from road-tough, lightweight glass-filled nylon.

In common with all JBL Professional products, PRX400 Series loudspeakers have survived JBL’s 100-hour power test, in which they are submitted to 100 hours of continuous, high-level input. The speakers also go through a barrage of unforgiving environmental and strength tests including harsh temperatures and humidity, ensuring they will perform perfectly anywhere. All PRX400 models incorporate JBL’s Sonic Guard speaker protection circuit that automatically attenuates the signal going into the high-frequency section of the speaker if too much input signal is detected, and restores normal operation when the overload condition passes.

The JBL PRX400 will be shipping in Q2 2012 with a price to be confirmed.

For more information please contact Sound Technology Ltd on 01462 480000, info@soundtech.co.uk or www.soundtech.co.uk/jbl


 

“A bold and well-executed move into hardware for Propellerhead. Well-designed and easy to use, it’s ideal for home producers or those on the move.”


Propellerhead’s new Balance audio interface is reviewed in the January 2012 issue of Music Tech magazine where it scores 9/10 and receives the Music Tech Choice award.


The review praises its excellent sound quality, minimal set-up, ingenius Clip Safe mode, built in Ignition Key for Reason, Direct Monitoring and easy input selection.

“Balance is an excellent audio interface that’s extremely easy to set up and use, plus it has some nifty designm features such as the ability to connect multiple sources and switch between them from the front panel. Although it works with any DAW it is , unsurprisingly, in its element when used with a flavour of Reason 6.”

Propellerhead Balance is a high quality 2-in, 2-out USB 2.0 audio interface. Although most home producers will only record one or two sources simultaneously, Balance has 8 inputs (2 mic inputs, 2 guitar level, and 4 line level inputs) so all your devices can stay connected – simply select what you want to record from Balance’s front panel – no additional unnecessary software control panels! It has a powerful headphone amplifier with large separate volume control. Balance requires no specific drivers on Mac – its fully Core Audio compliant – and comes with Windows drivers included.

Balance comes with Reason Essentials software included – a cut down version of Reason 6 yet still offering unlimited audio tracks. Reason Essentials can be easily upgraded to the full Reason 6 via the standard Reason 6 Upgrade package. For customers who already own an earlier version of Reason, Balance includes a free upgrade to Reason 6 (worth £139 RRP).

Balance is available now priced at £379 SRP inc VAT.

To read the full review please pick up the January 2012 issue of MusicTech Magazine.

Related Links

  • MusicTech Magazine
  • Find out more about Balance
  • Tutorial: Balance’s Clip Safe mode
  • Artist Video: Olivia Broadfield
  • Artist Video: Uprock Audio – A day in the studio with Balance


 

Nord UK distributor Sound Technology Ltd is very proud to announce the Nord Stage 2 has won the UK’s Music Industry Association’s (MIA) Best Music Hardware of the Year award sponsored by Future Music / Music Radar as voted for by the public.

This is the first time the MIA awards have been voted for by the public which makes this award all the more important to us! We’re very proud to have received this recognition from our customers.


The Stage 2 Series is Nord’s flagship instrument line. It utilises Nord’s very latest sound generation technology in the three categories of Piano, Organ and Synthesizer combined with a thoroughly thought-out user interface, a choice of top-flight keybeds and an almost obsessive level of quality control. The Stage 2 truly sets itself apart as an instrument for the professional performing musician.

Every Nord Keyboard is hand-made in Nord’s factory in the centre of Stockholm, Sweden, and each unit is individually tested and calibrated.

For a complete list of MIA award winners please click here:
http://www.mi-pro.co.uk/news/read/mia-awards-the-product-winners/016017

To see the other awards the Stage 2 has won please click here:
http://www.clavia.se/main.asp?tm=Products&clpm=Nord_Stage_2&clns2m=In_the_press


 

Propellerhead’s ReBirth for iPad app features in the ‘The Pick of the Bunch’ kit in the Roots Manuva/iPad ‘how to’ article in the latest edition of Clash – on the newsstands throughout the UK now.

“Emulating three staple dance music devices – the Roland TB303 bass synth, and TR808 and 909 drum machines – this app also gives you a simple sequencer with utterly squelchy effects for an acidic brain-melt.”

Clash is an award-winning (Magazine of the Year – PPA 2008) magazine bringing originality and independent opinion in a truly unique style. Clash provides in-depth features and stunning shoots alongside informative news, exclusive interviews and respected reviews. It has an audited circulation figure of 47,235 and readership numbers of 188,940 per month.


Related Links

  • Rebirthapp.com
  • Clash magazine


 

NORTHRIDGE, California – HARMAN’s JBL Professional today announced that Belgium-based AV rental system provider AED Rent has signed on as the first adopter of JBL’s next-generation VTX V25 line array loudspeaker and as a Strategic Partner in the VTX Network. AED Rent is known throughout Europe as a market leader and a total system provider, making the company an ideal candidate to help introduce the revolutionary VTX Series to the industry.

“Our mission statement is quite simple: To develop and maintain a flexible group of companies on a Pan-European base that offers a total solution for the professional in the AV industry,” said Glenn Roggeman, CEO of the AED group. “AED Rent is not just a rental company but an equipment bank, not only in sound, but also in lighting, rigging and video equipment. What makes this business quite unique is large quantities, industry standards, state-of-the-art products, and a young rental fleet with fast and accurate service.”

The VTX V25 is a revolutionary product that builds on the company’s 65-year heritage of loudspeaker design innovation and groundbreaking technology development. Designed for portable and fixed-venue system operators alike, the VTX Series features JBL’s legendary sound quality coupled with the most advanced sound reinforcement technology and support available.

“We chose to purchase the JBL V25 because I think JBL has it spot-on for the future,” Roggeman said. JBL has always been known as the best component builder. Today, thanks to Paul Bauman, they not only have the components, but also the speaker boxes to make a terrific system.”

The VTX V25 is a full-size, 3-way, high-directivity line array element. The VTX V25 features two 2000W, 15-inch Differential Drive® woofers mounted in die-cast aluminum baffles, with four 8-inch Differential Drive mid-range transducers and three of the revolutionary new D2 Dual-Diaphragm Dual-Voice-Coil Compression Drivers mounted on a 3rd generation waveguide and patented RBI Radiation Boundary Integrator® assembly.

“The technology JBL is using in the V25 is on the cutting edge,” Roggeman added. “If you see how much power the system is driving, it’s way above any competition. If you see the weight of the cabinets—82 kg—this is another attractive element, because in the future, environmental issues will play a bigger role in our business. A cabinet of 110 kg that needs to be transported will be more expensive than a cabinet of 82 kg.”

“We are thrilled that AED Rent has chosen to support the groundbreaking VTX V25 product,” said Paul Bauman, Senior Manager, Tour Sound, JBL Professional. “AED Rent’s technical expertise and leading position in the industry will be tremendous assets in our introduction of the V25 to the market.”

For more information on AED Rent, please visit www.aedrent.com

 

Steve Pageot is a multifaceted, multiplatinum artist who has worked on dozens of hip-hop and R&B albums, movie and TV soundtracks and commercials. Based in New York by way of Montreal, Pageot is a GRAMMY®-winning engineer, producer, musician and composer who has worked with artists including Aretha Franklin, Bone Thugs N Harmony, Talib Kweli, Snoop Dogg, Krayzie Bone, New Edition and others, and has done projects for MTV, VH1, Bravo, ESPN and many more.


One of Steve Pageot’s core beliefs is, “It’s all about going to the next level.” Pageot is always working on perfecting his craft in a highly competitive industry. He notes, “the journey to a successful career in the entertainment industry is not a race; it’s a marathon.”

Pageot has always been open to new sounds and new techniques, and recently, he joined the ranks of industry professionals who have added HARMAN’s Lexicon PCM Native Reverb Plug-In Bundle to their sonic palette. Designed to work with popular digital audio workstations (DAW) and a host of computer music platforms, the Windows® and Macintosh®-compatible PCM Native Reverb Plug-In bundle offers a host of classic and cutting-edge reverbs and the ability to tweak them to get the perfect sonic ambience for any track.

When Pageot tried the plug-in for the first time, he knew he’d found a way to take his mixes to the next level: “I just could not believe what I was hearing throughout my entire mix. Every effect from the Delays to the Large Plate settings had me saying, ‘Wow!’

“Yes, I suppose you can say I was knocked out by the sound,” Pageot laughed. “In fact, I really wasn’t expecting such a dramatic improvement – after all, I’ve worked with plenty of studio gear and have been mixing in the box for a long time. But the Lexicon PCM Native Reverb brings another meaning to the word ‘perfection’ and I rarely say something like that about anything.”

While continuing his work in production, composing, engineering and mixing, Pageot is also dedicated to bringing the importance of music education to youth, and is a music teacher at the SAE (School of Audio Engineering) Institute in New York.

The Lexicon PCM Native Reverb Plug-In Bundle is designed to work with popular DAWs like Pro Tools® and Logic®, as well as with any other VST®, Audio Unit™ or RTAS®-compatible platform. Compatible with Windows® Vista, XP and 7 and Macintosh® computers, it offers seven unique Lexicon’s plug-ins including Vintage Plate, Plate, Hall, Room, Random Hall, Concert Hall and Chamber, along with hundreds of presets including classics from Lexicon’s extensive library of sounds.

It’s intuitive user interface provides ready access to key parameters, with a graphical real-time full-color display that illustrates all key sonic parameters. Virtual input and output meters provide ready indication of audio levels, and presets can be stored in a DAW-independent format that can be transferred to a different DAW.


 
Washburn Guitars are proud to announce the addition of more colour options to the HB35 hollowbody series. The new HB35’s will debut at NAMM 2012.

The HB35 will now be available in white, black, and tobacco sunburst, along with the previous options of natural and wine red. These colors are paired with gold-plated hardware and black pickguards.
The HB35 still features a maple body; 24.75” maple neck with a rosewood fingerboard; and flame maple top. This semi-hollow body guitar also comes with a Washburn 621 neck pickup & 623 bridge pickup and a three-way toggle switch.
For more information on Washburn Guitars, visit www.washburn.com


 

A multi-million pound upgrade of the former Abercorn Arms public house in Stanmore has given owners, Red Klove, a luxurious bar/restaurant, serving up top quality pan-Indian cuisine and end-to-end audio visual entertainment. At the hub of its audio are multiples of JBL ceiling speakers and a BSS Soundweb London digital matrix. The design and installation was undertaken by The Sound Division Group.


The venue has been designed into nine zones, with a lounge and circular bar at front of house, a 280-cover restaurant at the rear, a separate 120-cover banqueting area upstairs and two glass encased private VIP dining areas.

The fit-out meets the owner’s requirement for cutting edge audio and visual technology to route multiple sources — all accessed from a large, cleverly designed (and extremely intuitive) GUI. Designed in Harman’s London Architect the 19” Samsung touch screen — which even allows for onscreen EQ adjustment — is mimicked up in the manager’s office on the second floor.


Sound Division’s task was to ensure that the BSS Audio environment interfaced with the Kramer HDMI video matrix switcher via serial command.

“BSS and Kramer provided most of the design support and I worked out how to integrate the two, making it work as one system in the simplest and most cost-effective way possible,” said Sound Division’s network engineer Dean Osborne. “Kramer provided all serial codes for each command, and these were dialed in as a parameter preset in Soundweb.”

Having worked with the BSS platform for many years, he believes, “Soundweb London does so much more than the original Green boxes. Whereas you would once tend to run out of processing power, with Soundweb London BLU you are never likely to hit that brick wall. It has four times the power, and a lot of the processing objects are more efficient.”

At The Abercorn, two Soundweb London BLU-100 fixed 12-in/8-out digital DSP’s interface with two 6-way HDMI switchers to provide all zoning, EQ, presets and system protection — with a series of BLU-BOB and BLU-BIB I/O expanders increasing the size of the audio matrix in the most cost-effective manner.

The system being protected is largely a JBL Control distributed 100V (and low-voltage) ceiling speaker set-up. The brief to David Graham’s team was that the loudspeakers should be unobtrusive — and recessed white cans into a white background is about as invisible as you can get. Playlists programmed by 8-Track Music Solutions are pumped around the venue, evenly and transparently.

In the front lounge this comprises largely of JBL Control 24CT Micro Plus and 26CT, with further multiples of Control 24CT Micro Plus (and Control 24CT) in the main restaurant and a similar solution in the two private dining booths. The added bonus for private guests in the VIP booths is the local BLU-3 wall controller which allows them to manage their own level control locally.

The function room and ancillary areas upstairs (including a self-contained private bar) adopt a similar approach (with additional JBL Control 19CS 8in bass ceiling speakers providing some low-frequency extension for private clients bringing their own music). At the food dispense area there is also a BSS Soundweb London BLU-8 for local source select and level control of the upstairs private bar and banqueting suite.

The visual stimulus has been given equal priority. With retractable drop-down screens (including 3D capability), the latest LED thin plasma screens, HDMI cabling over Cat6 at the top end to VGA for simple computer presentations, David Graham’s team has thought of every eventuality. And for the private banqueting suite the company has provided iPod and DJ plug-in facilities as well as a portable PA system for live entertainment.

“Sound Division have done an excellent job and have been very responsive,” stated owner, Mitul. “I knew what I wanted in the way of signal sources and David Graham’s project designer worked out the system that I needed. The GUI is fantastic — a lot of work has clearly gone into it but it’s easy to operate.”

For more information please contact Sound Technology Ltd, Harman Professional UK/ROI distributor, on 01462 480000 or visit www.soundtech.co.uk


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