C3 carries out installation at popular Brighton venue
Popular independently-owned Brighton venue, The Haunt, has upgraded its technical infrastructure, transforming it into a dedicated live venue.
The technical team has opted for the versatility of a Soundcraft Vi1 digital console, purchased from dealers Crystal Pro Audio and installed by locally-based installation and hire company, C3 Productions. The Vi1, as with all Harman Professional brands, is distributed in the UK and ROI by Sound Technology Ltd.

Situated opposite Brighton Pier, the the converted cinema, with mezzanine and balcony, which operated mostly recently as the Kuku Club, wanted to extend its scope from pure playback facilities to a genuine 350-capacity circuit venue.
Run by John Crawley and John Castrillon, the experienced C3 Productions were one of several companies approached and their Operations Manager, George Ridal, confirmed that there had been no infrastructure previously. “It was purely used by DJs,” he said.
“We have a lot of experience with Soundcraft and wanted to offer the venue something superior to other mid-range, small format digital desks, with the Lexicon FX built in. It also needed to be a product aimed at visiting engineers and be something they would recognise.” Although The Haunt’s new management was offered a choice of various desk brands, C3 made it clear where their recommendation lay.
At the same time the venue also invested in expertise, with technical manager Andy Goodwin arriving at the club working alongside live manager, Ade Dovey, while the installation was overseen by The Haunt’s new general manager, Rory Knapp.
“Increasingly Soundcraft Vi desks are appearing on technical riders, so it made perfect sense,” said Goodwin. “I have shown a lot of engineers over it, and everyone loves it.”
At the same time the venue has two excellent house engineers in the female partnership of Zoe Martin and Vicky Elston. Both have worked extensively on the Soundcraft Vi platform while on tour — the former with Esben and the Witch, the latter with Exit Ten. And both tours have exposed them to many of the venues’ in-house Soundcraft Vi desks.
Zoe Martin agreed that the Vi1 was the logical choice. “Because I do a lot of touring, and have worked on the bigger Vi desks, I got into it straight away.
“If you look at the surface you can see what’s going on without having to scroll through pages and pages — you can see exactly what’s in front of you. It has great functionality — and if you want to use external FX it’s easy to patch in and easy to save and upload a file. It makes such a difference when engineers turn up here and see it’s a Soundcraft desk installed.”
George Ridal is equally delighted with the overall sonic quality, generated by both the console and the new house PA system. “With a balcony above the main floor, we wanted to make sure the spec was top quality, with a clear distribution of sound. This is core to everything we do, and you can certainly hear that quality on the Vi1, which also looks cool.”
As a result, The Haunt will now be able to operate a full live programme during its seven nights a week operation.
Related links:
- Soundcraft Vi1
- The Haunt
- Sound Technology Ltd
- Crystal Pro Audio